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1. Anonymous says:

   December 17, 2011 at 10:06 am

   
   Wonderful score! Borderline intermediate! Buy it! , November 7, 2011

   By 

   Shannon M. Lemon (northville, mi) –
   
     

   Amazon Verified Hold(http://www.amazon.com/gp/community-help/amazon-verified-purchase/175-6803364-1654435', ‘AmazonHelp’, ‘width=400,height=500,resizable=1,scrollbars=1,toolbar=0,status=1′);return false; “>What’s this?)

   This assess is from: Harry Potter and the Deathly Hallows, Part 1: Piano Solos (Harry Potter/Deathly Hallows 1) (Sheet music)

   This is as a result enjoyable to mess about and the heart wrenching tunes are as a result wonderful. Its very different from the usual pieces I mess about as a result I incline headed for this book quite a morsel. The themes are carried through the book in a very elegant way as a result there is certain repetition, but always coming from a different angle. I would probably consider this book to be borderline intermediate.

   Obliviate: Key of C- repetitive left hand, unadorned one note in right hand; middle to end of piece extra sweeping with some accidentals and longer stretches.
   Snape to Malfoy Manor- Key of C- repetitive left hand through out entire piece; right hand somewhat repetitive with triplets and accidentals. A slightly extra hard piece than the previous, but once you figure it out it’s one of the most enjoyable to mess about.
   Polyjuice Potion- Key of D- This I thought was the most hard piece in the book along with Ron’s Address. Loads of accidentals and naturals, larger sweeping motions, ties and slurs, and arpeggiated chords. Also switching from treble to bass clef in right hand.
   Harry and Ginny- Key of C- Simple. Very slow and not loads of notes. Fantastic piece to start on. Wonderful.
   Ron’s Address- Key of C- Varying calculate signatures including 5/4, and 6/4; accidentals in fantastic quantities, slur/ties, larger sweeps with left hand, loads of dynamic changes, and loads of pedal phrases. As hard as Polyjuice Potion.
   At the Burrow- Key of C- Large phrasing, left hand treble to bass switching, octaves, ninths, calculate signature changes from 4/4 to 2/4 and back; one tiny phrase of 64th notes; very slow.
   Ron Leaves- Key of C- despondent to treble switch with right hand, pedal marks; honestly simple with a hardly any sweeping chords, octaves and 8va (Ottava).
   Godric’s Hollow Burial impose a curfew- Key of C- Octaves, phrasing, loads of calculate signature changes 3/4-4/4-2/4-5/4 etc.; tuplets, right hand treblel to bass; accidentals and arpeggiated chords.
   Farewell to Dobby- Key of C and at that calculate Db- calculate signature changes, notes above staff, phrasing, accidentals a loads of, arpeggiated chords, octaves, and left hand sweeps.
   Lovegood- key of C- Treble to bass movements in right hand, some staccato, very dynamic, a hardly any grace notes, very repetitive right through, only tough in view of the fact that of the speed IMHO (Allegro moderato= 144), longest song in book. If played slow honestly simple.

   All in all this book is fantastic for someone tiresome to push out of the “easies” and into some extra intermediate work!!!

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